Thanksgiving Song
verse 1:
Penny is spending Thanksgiving alone
her son’s in Missouri, her husband’s passed on
you see she and her neighbors all keep to themselves
some call it privacy I call it hell
chorus 1:
she lived the American Dream
for a long time, that’s what it seemed
but a dream you can’t wake from ain’t no dream at all
in her kitchen she stares at the phone on the wall
verse 2:
a mile and a half from Penny’s warm home
Nathan is pushin’ all that he owns
in his mind he replays his past like a film
whose second act always gives him the chills
chorus 2:
he’s on his way to a meal
he only gets if he makes a deal
so he’ll sit through the preachin’ and receive the prayer
and envy the clothes on this year’s volunteers
bridge:
from the Mayflower to Origin Blue
no one is content at home
it could be that happiness is too much to ask for
I’d settle for a little Shalom
***guitar solo***
verse 3:
so go ’round the table and share your thankfuls
be grateful for them ’fore they’re gone
be kind to your brother and love on your mother
this is my Thanksgiving song
(C) Robert Grant and Clay Norris
Close to Bob Dylan
I never been so close to Bob Dylan
as I was on the 2nd of July
though I couldn’t see his eyes
I could see his fingers slide
up and down the neck of his six-string guitar
like a pilgrim I had brought my camera
I said to my buddy “I’m gonna nudge up front”
but two rows up I got stuck
it seemed I had run out of luck
I heard my buddy shout “Man, you got far”
still I never been so close to Bob Dylan
as I was on the 2nd of July
though I couldn’t see his eyes
I could see his fingers slide
up and down the neck of his six-string guitar
he was tangled up in blue along the watchtower
he was pleadin’ with his ma to take his guns
he was playin’ his harmonica
with one hand wavin’ free
and like a stone he rolled down Highway 61
***bass solo and guitar solo***
I never been so close to Bob Dylan
as I was on the 2nd of July
though I couldn’t see his eyes
I could see his fingers slide
up and down the neck of his six-string guitar
(C) Robert Grant and Clay Norris